Highlights from Footnotes

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... to the archive of Highlights from our Footnotes newsletter. Our highlights include alumni, current students, and faculty of the Department of English. We also will share exceptional department news in this section. Read the stories that makes our department thrive!

 
 

 

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Alumni Spotlight: Jessica Klagmann (n茅e Bryant)

Jessica Bryant Klagmann. Photo courtesy of Klagmann
Photo courtesy of Klagmann
Jessica Bryant Klagmann

I was introduced to 黑料黑历史 by David Nikki Crouse, who was my first undergraduate writing professor in New Hampshire, and who had graduated from 黑料黑历史鈥檚 creative writing MFA program. I鈥檇 never considered going to Alaska, but after losing my father in my last year of college and learning that he鈥檇 always wanted to go, it felt like the kind of adventure I needed. I remember David saying to me before I moved to Fairbanks: You鈥檒l live in a dry cabin. You鈥檒l get a truck. You鈥檒l probably get a dog. I did all of these things, much to my delight. They also told me: Alaska is a place that, by nature, forces you to figure something out about yourself. This, I found, was also true.

As a reader, I鈥檝e always leaned toward magical realism, speculative fiction, and environmental nonfiction. Books that shaped me and my work are Gretel Ehrlich鈥檚 The Solace of Open Spaces, Kevin Brockmeier鈥檚 Brief History of the Dead, and anything by Anne Valente, Nicole Krauss, and Rick Bass. A favorite recent read was Anne de Marcken鈥檚 It Lasts Forever and Then It鈥檚 Over.

As a writer, I鈥檓 drawn to the ways people connect to wild landscapes and the natural world, and magical realism has been my way of weaving lightness into dark subjects. But I didn鈥檛 always do this well. David Nikki Crouse鈥攚ho returned to teach at 黑料黑历史鈥攚as an incredible mentor, not just in the craft of writing, but also in becoming a teacher. Filmmaker Len Kamerling encouraged me鈥攁s I struggled with pacing and action鈥攖o visualize the way scenes unfold and fit together as a whole. Derick Burleson pushed me to find grounding in my fantastical ideas, but then we also went off on tangents about the exquisite beauty of flowers. Everyone I knew in Alaska taught me some simple truth about life that carried into who I became as a writer.

 

Left: North of the Sunlit River and This Impossible Brightness, novels by Jessica Bryant Klagmann

During my time at 黑料黑历史, I wrote a thesis of three novellas, discovered a love for teaching, learned a thing or two about publishing (I was 笔别谤尘补蹿谤辞蝉迟鈥檚 editor-in-chief for Volume 32), and met my future husband. After we left Alaska for New Mexico, I worked at a college in Espa帽ola as a writing instructor and the director of their adult education program. I also co-founded the school鈥檚 literary journal, Trickster. All the while, I kept writing stories, kept submitting. In 2013, I got my first publication for a nonfiction piece about my worst day in Alaska (and how a day like that can lead directly to the 鈥渇iguring out鈥 I mentioned). I started writing a novel in 2014, and after many, many submissions to agents鈥攁nd many, many rejections鈥擨 finally signed with one. I felt like I鈥檇 made it, not realizing that it was just one step in a longer journey. A whole new round of rejections from publishers ended with that first novel getting set aside, but I鈥檇 been writing a second book to keep myself from going crazy, and in 2024, This Impossible Brightness was published.

My second novel, North of the Sunlit River, will be released this September. It鈥檚 set in Alaska and is about the ways in which lost loved ones can become greater than human鈥攃an become mythical鈥攁nd how this act of myth-making can heal. Inspired by my time in Fairbanks and by my father, it was a way of finally getting him to Alaska, the place that left so much of its magic imprinted on me.

 

 

 

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